The Artist

I paint about the animating consciousness that is in the nature of all things. What makes a frog a frog, a flower a flower? The reality is not just in the way a thing looks. All that is essential is invisible to the eye. I hold a paradox such as this to be true. My work examines what some might call the absurd or the impossible.

My mind will try to create a spectral nature, a ghost-like reality for a viewer to perceive. There is a perpetual hunger in me to invent the unrecognizable. I work to undo the accepted perceptual “realities” that block the infinity of human visual experience.

Ironically, most recently, my painting has taken a turn toward realism!
I find myself juxtaposing the more abstract and experimental figurative work of 35 years with a new almost photographic portraiture. How the two bodies of work will integrate, or refuse to, is an artistic experiment I am looking forward to executing.

The “animating consciousness” mentioned early in this statement, is still what I am most sensitive to and searching for in my portraits. My studies of powerful creative individuals draw me ever closer to my own revelations of a personal spiritual awareness.

The opposition of realism and abstraction, in painting the human figure,
Has come to me, at age 62, as a sincere, at times frightening, surprise!
I feel I could never have reached this point in representational painting had I made a plan to do so.

Saundra Fleming 10/19/2021
Seattle, WA

Founding member of Hole in the Air, an international art movement of 15 members who strive for radical collaboration and experimental process.

Featured Exhibitions

  • HITA Does Berlin

    November 2023

    Berlin

    The work in HOLE IN THE AIR DOES BERLIN embodied exploratory, psychological and speculative themes and featured more than 40 small works on paper.

  • Finding Form in the Invisible

    July 6-29, 2023

    Seattle

    Each piece contains the metaphysical substrate of matter, and of energy—a relationship of the two in Fleming’s intuition. This is the first work in ages that is calling her to slow down, to paint night after night toward an approximation of what exists and does not exist at the same time. In her words, “this work is frankly absurd and 100% necessary to move on with my philosophy of living”.

Professional Experience